The Effects list had folders for Mono, Stereo, and 5.1 audio effects, and you needed to apply the right kind of effect to clips on suitable tracks. On average, it used to take around 4.5 minutes per class to explain that the various different kinds of audio track in Premiere Pro made it necessary to have different categories of audio effect. The new version of the sequence will have the same clips, but now they will all be perfectly in sync, ready for merging. Throw your video with low-quality sync audio (use the on-camera mic) and your high-quality separate audio onto the Timeline in Premiere Pro export it as an FCP XML file, which PluralEyes will import to analyze, and sync everything together before producing a new XML file you can import back into Premiere Pro. Here's the workflow for PluralEyes sync in a sentence: If you want to sync lots of files automatically (which means less thinking—I approve), check out PluralEyes, which benefits from Premiere Pro's FCP XML import and export features.
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